ACT LIKE A LADY AND THINK LIKE A CIVIL ENGINEER Poster

ACT LIKE A LADY

Crossdressing elements of performance traditions are widespread cultural phenomena. In England, actors in Shakespearean plays, and all Elizabethan theatre, were all male; female parts were played by young men in drag. Shakespeare used the conventions to enrich the gender confusions of As You Like It, and Ben Jonson manipulated the same conventions in Epicœne, or The Silent Woman (1609).


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